Monday, February 24, 2014


Ah, yes, we return to those heady days of 1963, and another bit of lunacy from the Cleopatra label, which I've discussed at great length before.

I literally have no idea what to say about this one. I can't even understand the words. Only thing I CAN say is that it's got a good beat, it's easy to dance to, and the personnel on this record are Kenny Clay on "lead" (you can't really say he's singing here), Timmy Scudder, Butch Henry, and Melvin Edwards. Oh, and since the last post about Cleopatra Records, I found out that the label was out of Hazlet, NJ (exit 117 on the Parkway to my fellow New Jerseyans), NOT New York. KIND OF LIKE THE 2014 SUPER BOWL.

The Tabbys - Hong Kong Baby (Cleopatra 1) - 1963

Monday, February 10, 2014


HEY!!! Remember me???

Been a busy boy these past few months - got a new (and better) job, and I got engaged to my long-time girlfriend!! Planning the wedding now, but I had a few hours on my hands today, so....

I always found it fascinating (and fun) when classic rock and rollers (as opposed to classic rockers) remade songs by other classic rock and rollers. Examples - Elvis remaking Chuck Berry's "Promised Land" in 1974, Buddy Holly remaking "Bo Diddley" or Chuck's "Brown Eyed Handsome Man", and Jerry Lee Lewis remaking.....well, anything.

It's been written many times over the years how Jerry refers to himself as a "stylist" - in other words, he can take ANY song and tailor it to his particular style. Very, very few artists can pull this off - Elvis and Ray Charles are the only other examples I can think of right now. Jerry Lee usually gets overlooked because, well, he's crazy as a loon, but check out the material he's recorded over the years - he's remade stuff from Ray Charles, honky-tonk classics like "You Win Again", old folk tunes like "Carry Me Back To Old Virginny", Motown (he did a killer - pardon the wording - version of Barrett Strong's "Money" in 1961), blues tunes like "Hi-Heel Sneakers" - and it ALL sounds like the songs were written specifically for Jerry Lee.

The Killer doesn't even care if it's someone else's signature song. I mean, when someone says "Good Golly Miss Molly", you immediately think of Little Richard (even though he didn't have the original released version - The Valiants released theirs a couple of months before Richard). Jerry Lee doesn't give a shit what you think. He's gonna do "Good Golly Miss Molly", he's gonna do it his way, and you're gonna love it anyway!

While it doesn't match Little Richard for sheer rockin' mania, Jerry Lee's version does have a certain energy of its own, especially with his semi-hiccuping vocals and the great drumming (probably by J. M. Van Eaton). Even the chorus in the background adds to it!

Definitely the second best version ever. Unless you ask Jerry Lee, of course.

Jerry Lee Lewis - Good Golly Miss Molly (Sun 382) - 1962